ARNE BREUSING \ DEZIGNPHREAK

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Forst

2013

An aged, desperate forester lives in a wooden hut deep in a forest. His old hound died and now a new, young, naughty dog shall learn to hunt. But the young, dynamic puppy is more interested in frogs, butterflies and birds and gets on the forester's nerves. Finally the pup ends up as trophy at the hut wall.

ELENOR BECKER: Concept. (Art) Direction. Modelling.
ARNE BREUSING: Additional Animation. Postproduction
MARK HUFF: Additional Texturing.
SÖNKE STROHKARK: Sound.
THORSTEN MAI: Music.

Duft des Westens

2012

Der 27. September 1973 ist ein Freitag. Es ist deutlich zu warm für einen späten Septembertag, wie auch spätere Wetteraufzeichnungen belegen. Suzi Quatro ist mit „Can the Can“ auf Platz 1 der Single-Charts in Deutschland, und an diesem Tag startet „La Grande Bouffe“ (Das große Fressen) in den Kinos - aber davon erfährt Reinhold Huff erst später. Es sollte sein letzter Tag in der DDR sein.

„Der Duft Des Westens“ widmet sich den wenigen Stunden und Kilometern, die der illegale Übertritt der innerdeutschen Grenze selbst in Anspruch nimmt. Und doch wird es eine kaum enden wollende und beinahe aussichtslose Flucht. Vorbei an einer polizeilichen Verkehrskontrolle. Durch Scheinwerferlicht im dichten Fichtenwald zu Boden gezwängt. Von geifernden Kötern getrieben und fast gestellt. Um dann die scheinbar erlösende zweite Grenzziehung versehentlich in die falsche Richtung zu nehmen. Getragen wird die Motivation zur Flucht durch Retrospektiven auf wiederkehrende Sehnsüchte, wie das regelmäßige Westpaket und die Kinoabende. Aber auch erlittene Repressionen, die ihren Höhepunkt in einem absurden Verhör durch die Stasi finden.

„Der Duft Des Westens“ ist eine studentische Koproduktion von Arne Breusing und Mark Huff, dessen Vater die beschriebene Flucht tatsächlich durchlebt hat. Bei sämtlichen Texturen handelt es sich um authentische Druckerzeugnisse wie Briefe, Protokolle, Zeitungen und Comics, die im zeitgenössischen Umfeld der Flucht angesiedelt sind – eine real existierende Papierwelt, sozusagen. Der Film wurde in Stereoskopie erstellt und als Bachelor-Arbeit im Studiengang Mediendesign der Fachhochschule Hannover eingereicht.

Sterescopic Version / Teaser

MARK HUFF: Concept. Texturing / Shading. Modelling. Art Direction.
ARNE BREUSING: Animation. Compositing. Technical Direction.
JÖRN LINDNER: 2D Animation. Character Design. Storyboard.
REINHOLD HUFF: Story / Screenplay.
CORINNA MALISKE: Script.
CHRISTOPH TOMANEK: Voice.
SÖNKE STROHKARK: Sound.
ROLAND LOY: Music.

[a]norm

2011

This animation short is the result of the sixth term at University of Applied Sciences and Arts Hannover (communications design/multimedia: animation).
We tried to tell a story of workers, who walk headless through the desert towards the glory factory. But suddenly a thing change the mind of one of them and the system begins to get out of control.

MARK HUFF: Texturing / Shading. Modelling. Animation. Rendering. Concept.
ARNE BREUSING: Compositing. VFX. Animation. Rendering. Concept.
JÖRN LINDNER: 2D Animation. Character Design. Modelling. Concept.
KAI UWE HEMPEL: Sound.

Modepreis 2011

2011

We assumed the task to create an opening trailer for Modepreis Hannover, which can increase the tension in the audience and is a nice introduction to the show.
The theme of fashion and specially the collections of the fashion designers are abstract included in the trailer by their moodboards projected onto the dancers.

CELINA CAMERON: Camera. Concept. Preproduction.
ARNE BREUSING: Camera. Postproduction.
ANDRÉ ALDER: Concept.
JENS MAHLSTEDT: Sound.

substance

2011

Small Animation to learn Thinking Particles in Cinema 4D.

My intention was to render the bubbles and sparkles with Hair, but there was a problem with the refraction of the glas and the water. So I had to give them a real geometry witch caused a rendertime of about 4 days for the first 250 frames (with QMC complete animation). It's not perfect thou, but good enough for my first attempt with TP.
Compositing (including color correction and typo animation) was done in After Effects.

ARNE BREUSING: Animation. Concept. Sound.

SNIPE the no lifestyle style

2011

This is small animation job I did for MUTABOR during an internship. It's an image video for SNIPE, which was first presented at the bread&butter in Berlin and later featured on the website.
The print layouts were portrait so I had to adapt them for the widescreen video format. The illustrations were delivered as layered photoshop files, so it was quite easy to animate them in After Effects. Refering to the print designs I made the video footage monochrome, stabilized and cut it.

CLIENT: SNIPE.
AGENCY: MUTABOR.
TIM ROTERMUND: Art Direction.
FUCKERER: Illustration.
SUPREME MUSIC: Music.
ARNE BREUSING: Animation.

BeA Markenfilm

2011

This is an imagefilm for the BeA group, one of Europe's leading manufacturers & suppliers of fastening systems, in which I was involved at MUTABOR during my internship.

CLIENT: BeA.
AGENCY: MUTABOR.
BÖRRIES MÜLLER-BÜSCHING: Art Direction. Concept.
SUPREME MUSIC: Music.
ARNE BREUSING: Animation.
CHRISTIAN STEULER: Animation.

We Like It Dirty

2010

Musicvideo for the DJ duo HornyShakerz (produced during the fourth term of mediadesign studies).

ARNE BREUSING: Concept. Camera. Postproduction.
CELINA CAMERON: Concept. Camera. Production.
FRANSISKUS WINATA: Concept. Camera. Storyboard.
PHILIPP POLLEY & OLIVER ARTMANN: Music.

We Like It Dirty / Website

2010

Small site for our musicvideo project, to aquire the cast and to give some background informations.

Website

ARNE BREUSING: Webdesign.

Experiment

2010

A short setextension video for my university studies.
Filmed with a Panasonic HVX200 in 720p. Edited with PFTrack, Cinema4D and AfterEffects.

ARNE BREUSING: Animation. Postproduction. Sound.

FWS Pullovr

2009

Logodesign for the pullover of my old school. In the course of a small contest it was chosen by the students to be printed.

ARNE BREUSING: Logodesign.

SoundStation

2009

I was asked to make short visuals for an event series called "SoundStation" (based in an old trainstation). The logo was given so I had the challenge to make the loops look interesting for the videowall above the dancefloor.
The three versions of the logo animation include a simple and colorful 3d extruded one, a 8bit retro variation and a version which was a bit more based on the original poster design.

ARNE BREUSING: Animation.

Sprichwoerter

2009

For university studies the exercise was to realize a saw. We couldn't decide which idea was our best, so we decided to make a few of them.

ARNE BREUSING: Concept. Production.
CELINA CAMERON: Concept. Production.
GERRIT SCHULTE: Concept. Production.
JELTO SIEFKEN: Concept. Production.

HornyShakerz Podcast

2009

The two kindly guys of HornyShakerz started to make a video podcast, but the episodes were definetly missing an intro and something like a consistent outro. So I started to develope a visual package for the small clips. They liked it and added it to their next episodes.

ARNE BREUSING: Animation.

Blattpapier

2009

This is our approach of a small stop motion animation dealing with the subject "transformation" (for university studies).
We shot every frame with a DSLR, retouched them in Photoshop and comped them in After Effects. Sounds were also added in post.

ARNE BREUSING: Production.
CELINA CAMERON: Concept. Assistant.

WakeUp Call

2009

My first steps in Maya (for university studies). I integrated the modelled, textured and animated phone via After Effects in photos and combined these short animation sequences with video recordings to create a small story.

ARNE BREUSING: Animation. 3D. Production.
CELINA CAMERON: Concept.